The Marvel-Sony partnership prompted by the critical and commercial failure of 2014’s Andrew Garfield starrer The Amazing Spider-Man 2, seems to be paying off. Early indications are that Spider-Man: Homecoming is going to pull in box-office cash in the same range that Sam Raimi’s original trilogy scooped up from 2002 to 2007. Reaction from critics and audiences likewise has been positive.
What’s made the difference?
Firstly, Spider-Man is now integrated into the Marvel Cinematic Universe (MCU) via his introductory appearance in Captain America: Civil War last year. Audiences are have been deeply involved with the characters in the MCU for some years now. Naturally, any new character introduced into an MCU film benefits from that halo effect. And that’s exactly what was set up in Civil War; we were introduced to a teenage Spider-Man played by Tom Holland and another new character Prince T’Challa of Wakanda (aka the Black Panther), both being set up for their respective solo films. And so here we are with Homecoming successfully picking up speed in the slipstream of Civil War and Black Panther scheduled to follow suit next February. Audiences know that whenever they go to watch an MCU film featuring any one character/ team, they will get some bonus Marvel character appearances as well; in the case of Homecoming, the guest stars are Iron Man, his security chief Happy Hogan (played by director of the first two Iron Man films, Jon Favreau), Pepper Potts and Captain America appearing in some public service videos.
Second, this time around audiences don’t have to endure an entire film repeating the well-known origin story of Spider-Man bitten by a radioactive spider. Instead, we get to see the character already set up with his powers and his suit. The fun part is seeing how his mundane teenage world contrasts with the jet-setting lifestyles of the Avengers, who he looks up to and so desperately wants to be a part of.
Third, the casting this time really works:-
EVERYBODY likes (loves!) Marisa Tomei as Aunt May.
Michael Keaton’s Adrian Toomes (aka the Vulture) is the best villain in the MCU (traditionally a weak area) and the 2nd best Spidey villain after Alfred Molina’s Doc Octopus from 2004’s Spider-Man 2. While not as tragic a figure as Doc Ock, Toomes’ motivation to move into a life of crime is something one can sort of empathize with.
Peter Parker’s high school gang are all interesting characters and oh-so-ethnically-diverse; his best buddy Ned is played by Jacob Batalon, who is of Filipino origin; class nerd Michelle is played by the multi-ethnic Zendaya; love interest Liz is played by African-American Laura Harrier and class smart-ass Flash who is blond and muscled in the comics is now played by Tony Revolori, who is of Guatemalan descent.
In fact, the only character I didn’t really care too much about is Peter Parker himself. Not because Tom’s a bad actor, but perhaps because the 21-year-old actor is too good at acting as a whiny 15-year-old motor-mouth who wants everything…at one point in the film, I really couldn’t handle that non-stop high pitched voice of his as he provided a running commentary during an action sequence!
Speaking of action sequences, that was the key weak link in the film for me. While I was engaged with all the characters, the action and the fights didn’t hold my attention at all. I think it’s because the outcome is so predictable. C’mon! it’s a PG-13 film. Of course, no one important is going to die or get maimed. This isn’t Game of Thrones, right? Well, to be fair to the studio, they did try that route in 2014’s The Amazing Spider-Man 2 with Mary Jane Watson; I don’t think that movie failed because of that plot point at the end, but it’s understandable that the producers didn’t want anything really nasty to happen to any characters in this all-important reboot. And so, we end up with 3 action set-pieces which are all big-scale and spectacular, but not really gripping.
What was fun about the action scenes was all the showcasing of all the tech that Tony Stark had built into Peter Parker’s suit. The suit AI (F.R.I.D.A.Y.), a female version of J.A.R.V.I.S. seemed a bit too good to be true, even more intelligent that J.A.R.V.I.S., it seemed to me!
And to round off the complaints, I still dislike the mismatched fonts of the movie title.
By now, anyone who’s been to a few Marvel movies knows to wait back for mid-credits and post-credits stingers. Well, there are two in this movie. The first stinger sets up a potential villain for the sequel, a criminal named Mac Gargan who becomes the Scorpion in the comic books. The 2nd one is really cheeky joke, eliciting appreciative laughter from the audience in the theatre.
And so, we have a Sony back on track with the Spider-Man franchise, with more than a bit of help from their ‘friends’ at Marvel/ Disney. Fans can only hope that this success could fuel a similar partnership between Marvel and Fox to resurrect the Fantastic Four franchise (although Marvel boss Kevin Feige has assured reporters that the possibility is beyond remote).
We still have one MCU film to go this year – the ‘buddy road film’ Thor: Ragnarok releasing in November, featuring Thor and the Hulk forced into mortal combat in an alien coliseum.
Next year, there are no less than 6 Marvel films! Three are MCU films from Disney – Black Panther (Feb), Avengers: Infinity War (May) and Ant-Man & the Wasp (July). The other three are mutant films from Fox – X-Men: The New Mutants (Apr), Deadpool 2 (June) and X-Men: Dark Phoenix (Nov). Oh, the joy!