11 years and 21 movies – my favourite moments from the Marvel Infinity Saga


The 21 movies in the MCU so far, from Iron Man (2008) to Captain Marvel (2019) in no particular order!

I guess you’d have to be living under a rock or really not interested in Hollywood movies to be unaware that Marvel’s magnum opus Avengers: Endgame opens next week around the world. I was surprised to read that Disney has spent a record $200 million worldwide on marketing the film; I assumed that fan fever and natural media coverage would suffice, along with the ‘normal’ levels of marketing spend for summer blockbusters (say $100-150 million). But I guess Disney doesn’t want to leave anything to chance and wants to pack in as many people as possible into the opening week, because it’s the early weeks of release for which the studio gets the largest share of the box office gross.

No praise is too high for Kevin Feige, Marvel Studios’ uber-geek producer who has shepherded a franchise of 23 films (including Endgame and July’s Spider-Man: Far from Home) totaling more than 60 hours of viewing and melding the creative sensibilities of 17 different directors. The films cover a spectrum of action and sci-fi sub-genres including space opera (Guardians of the Galaxy), conspiracy thriller (Captain America: The Winter Soldier), first contact (Thor), road movie (Thor: Ragnarok), alien invasion (The Avengers) and heist film (Ant Man). The themes range from the prosaic (global terrorism in Iron Man 3 and urban crime in Spider-Man: Homecoming) to the esoteric (Afrofuturism in Black Panther and mysticism in Doctor Strange). Check out this recent interview with Kevin Feige by Variety for more about how he created this amazing success story.

In anticipation of watching Avengers: Endgame next week, I decided to look back and list out my most enjoyable moments from the 21-movie journey so far. I have no idea how this list is going to turn out, as there are some movies in which I have several favourite scenes and others where I will struggle to come up with one. Nevertheless, here goes!

Iron Man (May 2008)

We see the Mark 1 suit in action for the first time, as he breaks out of the cave where he is held prisoner by the Ten Rings terrorist group. The dim lighting and claustrophobic setting makes the entire sequence feel so real.

Iron Man – The first appearance of Iron Man, wearing the Mark I suit

The Incredible Hulk (Jun 2008)

I really thought hard about this one and even checked out some clips online to jog my memory. An obvious candidate was the extended military attack sequence on the grounds of Culver University and the other option was the final battle between Hulk and The Abomination. But frankly, the video-game type Hulk CGI just didn’t work for me. In later films, the CGI improved and also the switch to Mark Ruffalo made a big difference in making the character relatable.

Iron Man 2 (May 2010)

Ivan Vanko/Whiplash attacks Tony Stark during the Monaco Historic Grand Prix. The car with Happy and Pepper Potts is cut in two. Tony Stark activates the “Football”, aka the Mark V suitcase armor. This was a scene in which there was real dramatic tension. Mickey Rourke was so menacing as Ivan Vanko, he made the viewer believe that Happy and Pepper’s lives were in danger.

Iron Man 2 – Tony Stark activates the Mark V suit to fight Ivan Vanko (Whiplash) and save Happy and Pepper

Thor (May 2011)

There are many fun moments involving Kat Dennings as Darcy Lewis, Dr. Jane Foster’s feisty intern. Here, in an interesting addition to the ‘first contact’ cinematic trope, she takes down the mighty Thor with a taser!

Thor – Darcy Lewis welcomes Thor to Earth with a taser

Captain America: The First Avenger (Jul 2011)

Nothings beats the thrill of watching Steve Rogers transform into the world’s first super-soldier. The action scene that follows immediately afterwards is the perfect way to showcase the transformation.

Captain America: The First Avenger – Steve Rogers becomes the world’s first “super soldier”.

The Avengers (May 2012)

There are many memorable moments throughout this movie (including the reveal of the Helicarrier), but it’s interesting that my top 2 involve the same character:-

  • At the height of the Battle of New York, Bruce Banner says “That’s my secret Cap, I’m always angry”.
  • And a short while later as Hulk, he delivers the classic repartee to Loki’s delusions of grandeur with “Puny god!”.
The Avengers – Bruce Banner reveals his secret
The Avengers – Hulk puts Loki in his place

Iron Man 3 (May 2013)

Tony Stark invokes the “House Party” protocol, using J.A.R.V.I.S. to activate every Iron Man suit remotely. Very cool scene. And for the geeks out there, here’s a visual of every Iron Man suit from 2008-18.

Iron Man 3: Tony Stark invokes the “House Party” protocol

Thor: The Dark World (Jul 2013)

This is a visually stunning film, but honestly I can hardly remember anything from it, except the scene where Loki changes form while walking and chatting with Thor, thereby giving Chris Evans an opportunity to cameo as Captain America

Thor: The Dark World – Loki being mischievous

Captain America: The Winter Soldier (Apr 2014)

Elevator fight sequence. ‘Nuff said!

Captain America: Winter Soldier – fight sequence in the elevator

Guardians of the Galaxy (Aug 2014)

The escape from Kyln prison is the first time we see Peter, Gamora, Rocket, Drax and Groot work together as a team.

Guardians of the Galaxy – Escape from Kyln prison

Avengers: Age of Ultron (May 2015)

My top two scenes happen one after the other and are absolute opposites in terms of pacing and intensity:-

  • The “Duel of Johannesburg” fight sequence between Iron Man and the Hulk is pretty awesome. In fact, Bruce Banner and Tony Stark jointly designed the Hulk containment system (code-named “Veronica”), comprising the metal shell and the Hulkbuster (Mark XLIV) armor deployed from a space satellite, for just such a situation.
  • And this is followed by a most unexpected scene. Hawkeye takes the Avengers to a “safe house” – a ranch in the middle of nowhere – where they are amazed to find that he has a wife and two kids (with a third on the way). It’s a wonderful and much-needed change of pace after the intense action and destruction in Johannesburg. Linda Cardellini (recently seen in Green Book) steals the scene as Hawkeye’s wife Laura.
Avengers: Age of Ultron – Iron Man needs Veronica to handle Hulk
Avengers: Age of Ultron – a welcome change of scene for the superheros at Hawkeye’s farmhouse

Ant-Man (Jul 2015)

Michael Pena as Luis, Scott Lang’s former cellmate, steals the scene every single time with his comic timing and unique storytelling style. I love this one where he explains to Scott how his friend Ignacio knows a “crazy stupid fine chick” who’s a guerrilla journalist and is connected to the Avengers. Great job by Danny Vasquez as Ignacio and Anna Akana as the journalist.

Ant-Man – Luis explains how he got a contact with the Avengers!

Captain America: Civil War (May 2016)

For sheer spectacle, nothing beats the airport fight scene. And in that fight scene, nothing beats the moment when Ant-Man becomes Giant-Man. I realized what was going to happen just seconds before he did it; what a thrill! I’ve watched the sequence many times and it still gives me goosebumps.

Captain America: Civil War – “OK, tiny dude is big now…he’s big now”

Doctor Strange (Nov 2016)

We saw this sort of “reality bending” first in Christopher Nolan’s Inception, but it’s still pretty impressive to behold when Doctor Strange (Benedict Cumberbatch) and Mordo (Chiwetel Ejiofor) battle Kaecilius (Mads Mikkelsen) and his zealots in the Mirror Dimension of New York. I can’t even begin to imagine how the special effects team storyboarded this sequence.

Doctor Strange – Strange and Mordo fight Kaecilius in the Mirror Dimension in New York

Guardians of the Galaxy Vol. 2 (May 2017)

Yondu gets a new fin fixed and he’s now able to control his Yaka Arrow again. He proceeds to take out Taserface and his entire mutinous crew in glorious slow-mo, to the tune of the song “Come a Little Bit Closer” by 60’s pop-rock group Jay and the Americans. Baby Groot and Rocket Racoon are approving observers to the carnage.

Guardians of the Galaxy, Vol.2 – Yondu takes out Taserface and his crew

Spider-Man: Homecoming (Jul 2017)

Peter Parker goes to Liz’s place to pick her up for the homecoming dance. The door opens and he is shocked to see that Adrian Toomes, aka his arch-nemesis The Vulture, is Liz’s dad. Michael Keaton exudes a scary vibe, even when he’s being nice.

Spider-Man: Homecoming – Peter Parker has an unexpected meeting with Adrian Toomes, aka The Vulture

Thor: Ragnarok (Nov 2017)

It drew big laughs when it was teased in the trailers and it’s one of the highlights of the most entertaining film in the Thor series; I’m talking about the Thor vs. Hulk in the Contest of Champions on the garbage planet of Sakaar. Loki’s reactions are priceless, especially when you know what happened the last time he tangled with Hulk in the Avengers.

Thor: Ragnarok – Thor vs. Hulk in the Contest of Champions on Sakaar

Black Panther (Feb 2018)

In a blink-and-you-miss-it scene in Captain America: Civil War, Black Panther’s security chief Ayo (played by Florence Kasumba) tells Black Widow “Move, or you will be moved”. This was our first glimpse of how fierce and unflappable his Dora Milaje personal guards could be. In the Black Panther movie, the Dora Milaje head General Okoye (played by Danai Gurira) steals every scene she’s in; I love this one in which she stops a charging rhino.

Black Panther: Okoye stops a charging rhino

Avengers: Infinity War (Apr 2018)

It’s tough to come up with a memorable scene (i.e. one with happy memories) in a movie where our heroes are on the receiving end pretty much all the way through. When Thor, Groot and Rocket arrived in the midst of the Battle of Wakanda, I really thought there was hope for the Avengers. It lasts just a few seconds before Thanos arrived as well.

Avengers: Infinity War – Thor brings Stormbreaker to the Battle of Wakanda

Ant-Man and the Wasp (Jul 2018)

There are lots of fun set-piece action scenes in this sequel, especially now that we know that Hank Pym’s tech can also make people/things bigger. The kitchen fight scene gives Evangeline Lilly a chance to show her moves as The Wasp.

Ant-Man and the Wasp – The Wasp gets to show her moves

Captain Marvel (Mar 2019)

As much as I enjoyed the movie, there are no specific scenes that stand out in my mind. I’ll probably have to watch it another time. For the moment, I’ll make do with the scene when Nick Fury meets Goose, the Flerken.

Captain Marvel: Fury meets Goose

Well, that’s it. I’m sure that in a few days’ time, I’ll have at least one or two memorable scenes from Avengers: Endgame to add to this list. Hopefully the entire movie will be emotionally satisfying and will bring an appropriate closure to an 11 year journey…and sets us up for the next phase of the MCU.

Kurosawa’s The Bad Sleep Well is a masterclass in composition and lighting


This weekend, I finally got to watch The Bad Sleep Well, Akira Kurosawa’s 1960 dramatic thriller which was the first film to be produced by his own production company. While it’s his samurai films which I love the most, this one now ranks alongside 1963’s High and Low as one of his contemporary-set films that I would be happy to watch repeatedly.

Kurosawa’s signature wide shots and deep focus cinematography is less evident in this film, given most of the scenes take place indoors and have medium shots in close confines. Also less evident is movement – of people, elements of nature and the camera – so much a part of his most well-known films like Yojimbo and Seven Samurai.

What really comes through in scene after scene of The Bad Sleep Well is his skill at composition and lighting – a lot of it developed during his early years when he studied at the Doshisha School of Western Painting.

When it comes to composition, Kurosawa perhaps has no equal. He never wastes any of the available space on the screen…it’s always filled up with characters arranged geometrically – in triangles, in circles, all in a row, as a diagonal, and so on. He also uses the surroundings like houses, doors, windows, etc. to balance the on-screen composition.

I have captured below a selection of frames from the movie which illustrate this approach, irrespective of whether there are four, three or two people on screen, and one example of how he has created a dynamic, yet balanced composition with just one person. There are a couple of examples of chilling noir lighting as well. Enjoy!

The triangle of evil – Corrupt Vice President Iwabuchi (Masayuki Mori) flanked by his two partners-in-crime
The triangle of justice – Iwabuchi’s son-in-law, Koichi Nishi (Japanese acting icon, Toshiro Mifune) flanked by his friend Itakura (Takeshi Kato) and whistle-blower Wada (Kamatri Fujiwara)
The triangle of good and bad – Nishi (Mifune) and Itakura (Takeshi Kato) put pressure on corrupt administrative officer Moriyama (played by Kurosawa regular, Takashi Shimura)
Diagonal composition – Nishi, Itakura and Wada in a contemplative mood – one of the few outdoor scenes in the movie. They are arranged in order of ‘importance’ and applying the “rule of thirds”, the main character Nishi is in the dominant location in the left third of the frame.
One against three – A clear separation between the corrupt Moriyama on the left and the justice-seeking trio of Itakura, Nishi and Wada. Bad guy Moriyama is in the dark part of the screen. Good guy Nishi gets most of the light.
The mirror creates balance in the composition and expresses the conflict within the character
– Vice President Iwabuchi can barely look at himself as he contemplates his evil actions.
Geometric separation – Nishi and his wife Yoshiko (Kyoko Kagawa, star of Tokyo Story and Sansho the Bailiff)
Coming to terms with the fact that they are separated by their loyalties.
So near, yet so far – another visual expression of the separation between husband and wife, and the hopelessness of their situation.
Noir lighting for one – corrupt contract officer Shirai (Ko Nishimura) feels hunted at every step.
Following the Rule of Thirds, he is placed to the left third of the frame.
Noir lighting for two – Nishi and Wada in an unused underground shelter.
The lighting comes from a circular hole in the ceiling open to the sky.

And here’s a short video that explains this approach of ‘geometric composition’ from the perspective of a particular scene in the movie; created by Tony Zhou who used to run the much-loved YouTube channel Every Frame a Painting during 2014-16. Watch the analysis and better yet, watch the movie!