Best Reading of 2020


I have read 28 books in 2020, a mix of non-fiction, graphic novels, science fiction, crime and social drama. Five of these were published this year, while most were published within the past few years and a few are classics several decades old that I’ve only got around to reading now.

The five books from 2020 were all quite good and worth mentioning:

  • The Last Emperox by John Scalzi: This is the third and highly satisfying conclusion to the action-packed “The Interdependency” space opera trilogy which I’ve briefly referred to in a post a year ago. In the far future, the human race has built a galaxy-spanning empire called The Interdependency, with faster-than-light travel made possible through a mysterious network of wormholes called The Flow. The various human colonies are sustained by intergalactic trade which is controlled by a number of Houses (not dissimilar to those in Frank Herbert’s Dune series), all under the rule of a benevolent Emperor. When the Flow pathways start collapsing one by one for reasons unknown, it sets off a series of political machinations, as one of the Houses (House Nohamapetan) tries to overthrow the Emperor and monopolize whatever resources it can. Through the first two books, I became highly invested in the lead characters – the recently crowned Emperox Grayland II, Lord Marce Claremont, the son of the scientist who predicted the collapse of the Flow, and Lady Kiva Lagos, the foul-mouthed but brilliant member of House Lagos, which is loyal to the throne. Together, these three must foil House Nohamapetan and save the empire!
  • The End of October by Lawrence Wright: Widely reviewed when it came out in April, due to the uncanny similarities with the ongoing global Covid pandemic, Pulitzer-winning author Lawrence Wright’s fast-paced global thriller contains many plot points that will seem all too familiar to us today, although Wright started work on the novel well before the pandemic hit. The factual, journalistic writing style is very accessible, and will appeal to anyone who has enjoyed books by Frederick Forsyth, Michael Crichton, Dan Brown or Tom Clancy. I wouldn’t be at all surprised if Netflix or a major studio picked up the rights to the book, although I suspect no one will be in the mood to see something so close to reality for some time yet.
  • Afterland by Lauren Beukes: This is South African writer Lauren Beukes’ fifth novel, and continues her run of speculative fiction, which has previously covered the sub-genres of time-travel, cyberpunk and contemporary magic. Afterland depicts a world three years into a pandemic which has wiped out virtually all men (a very similar premise to the graphic novel series Y: The Last Man). The few remaining human males are kept in government facilities as a precious resource, for experimentation and of course, procreation. The novel focuses on a 12-year-old boy Miles and the desperate efforts of his mother Cole to keep him out of the hands of the US government and gain safe passage to the mother’s native South Africa. The story is primarily written as a road trip/thriller, but Ms. Beukes uses the narrative to shine a light on gender dynamics, specifically the psyche of this preteen boy forced to disguise and behave as a girl, having to get away with the subterfuge while constantly surrounded by women.
  • The New Wilderness by Diane Cook: This is Ms. Cook’s debut novel (she had previously published a collection of short stories) and was long-listed for the Booker Prize this year. In the near future, nearly all available land has been urbanized and people live in polluted cities. One small community is given permission by the government to participate in an experimental project, living a nomadic life in the last available stretch of wilderness, with strict rules in place to minimize the impact of human habitation on the pristine land. The story chronicles the evolving social dynamics within this community, as experienced by one of the families, comprising a woman Bea, her partner Glen (one of the originators of the project) and her young daughter Agnes. It is a depressingly realistic depiction of how social niceties progressively disintegrate when people are faced with the harsh realities of survival and scarcity. If ever we needed encouragement to preserve our current way of living through sustainable practices, this story should do the trick!
  • Piranesi by Susanna Clarke: I am a big fan of Ms. Clarke’s debut novel from 2004, the dark and extraordinarily inventive, Jonathan Strange and Mr. Norrell. This year she released her second novel, Piranesi, another work of astonishing creativity and world-building. The novel is named for its title character, and is presented as a series of Piranesi’s diary entries over a period of years, while living in a place called The House. There is only one other person in the House, who Piranesi refers to as the Other. Like peeling the layers off an onion, the narrative slowly reveals who Piranesi is, and how he came to be in the House. I couldn’t say more without giving away it’s extraordinary plot. Unlike Ms. Clarke’s first novel which was a brick at 782 pages, this is a brisk read of only 272 pages. I cannot recommend this novel enough, especially for fans of fantasy/speculative fiction.
Piranesi (2020), a novel by Susanna Clarke

Among the other books I read, the four non-fiction books were all outstanding:

  • The Body by Bill Bryson (2019): I have long been a fan of Bill Bryson’s travelogues and memoirs since I first read A Walk In The Woods in 1998, but hadn’t read anything of his since 2007. The Body is a remarkable guided tour of the human body that is equally informative and entertaining.
  • The Hidden Life of Trees by Peter Wohlleben (2015): Originally published in German, this is an insightful book based on Mr. Wohlleben’s observations of trees and forest ecologies, accumulated during his career as a forest ranger/manager. This is a fascinating read for any lover of nature who wants to know more about the synergy that exists among different types of trees and between trees and other living beings in the forest. There’s a strong link between this book and a novel I read this year, Richard Powers’ Pulitzer-prize winning The Overstory (which is an amazing work of fiction, but I haven’t included in this list of my favourite books of the year as it was just a little too abstruse for me).
  • The Seine: The River That Made Paris by Elaine Sciolino (2019): Journalist and author, Elaine Sciolino’s loving ode to the river Seine is a true delight, deftly weaving together information about the history, geography, food and commerce of Paris and other parts of France through which the Seine flows. This fascinating book describes how the Seine has played a role in the evolution of the French people and during the same time, how the people living on its banks have literally changed the course and nature of the river.
  • Chocolate: A Bittersweet Saga of Dark and Light by Mort Rosenblum (2006): In Ms. Sciolino’s book about the Seine, she makes a reference to Parisian chocolatiers and in that context, to Mort Rosenblum’s book on chocolate. Naturally, that became the very next book I read! Although less structured and more subjective than the book on the Seine, it was no less informative and entertaining. Rosenblum takes us back to the history of chocolate as a highly valued ceremonial drink among the Olmec, Mayan and Aztec cultures of Mesoamerica, to its “discovery” by Europeans in the 16th century and subsequent transformation over the next three centuries to the globally popular confectionery product it is today. He also throws light on the sad plight of many cacao growers in Latin America and West Africa, who earn a pittance in comparison with the prices commanded by the finished product around the world.

And that brings me finally to the notable books of fiction I read this year, but not published in 2020:

  • The Cairo Trilogy by Naguib Mahfouz (1956/57): Egyptian writer Naguib Mahfouz won the Nobel Prize for Literature in 1988 and this multi-generational story of an upper middle class Cairene family during the period between the two World Wars is perhaps his best-known work. The first book in particular, Palace Walk, is virtually unputdownable, so fascinating is the story of respected merchant Al-Sayyid Ahmad ‘Abd al-Jawad and his family who live in central Cairo. Al-Sayyid Ahmad lives two lives; a pious but tyrannical patriarch at home, a beloved companion and voracious lover when out in the evenings with his clique of friends and courtesans. So imposing is Al-Sayyid Ahmad’s character in Palace Walk that the lives of his sons and grandsons pale in comparison in the subsequent books. In particular, I found the long conversational passages involving religion and politics among the youngsters of the al-Jawad family to be quite tedious. Nevertheless, taken together, the books are full of melodrama, humour, irony, pathos and tragedy, providing an unvarnished insight into the cultural, political and religious topography of Cairene society in the early 20th century. An interesting bit of trivia – the books were translated into English only in 1990, and the editor assigned by the publisher Doubleday for the translation was none other than Jacqueline Kennedy Onassis.
  • The Signature of All Things by Elizabeth Gilbert (2013): I’ve written a full review of this book soon after I read it in April this year. There’s no doubt this will remain one of the best works of fiction I have ever read.
  • In The Market for Murder by T.E.Kinsey (2016): This is the second of the Lady Hardcastle Mysteries that I’m reading and I’m certain it won’t be the last. British author Tim Kinsey has so far written seven of these ‘light-hearted’ murder mysteries featuring Lady Emily Hardcastle and her intrepid maid/assistant Florence Armstrong, set in the early 1900’s. Having served the British government in some secretive capacity abroad, Lady Hardcastle rents a cottage in the country and settles down for a quiet life. But her natural intelligence and sense of adventure draw her into helping the local police when a serious crime is committed. I love these “countryside” crime stories, like James Runcie’s Grantchester Mysteries and Louise Penny’s series of 16 novels involving Chief Inspector Armand Gamache. Enjoying these stories does require some suspension of disbelief as it’s quite difficult to imagine such a high murder rate in these small villages!
  • The Calculating Stars by Mary Robinette Kowal (2018): This novel is the second work of fiction I’ve encountered in the past year which presents an alternate history of the US space program in which women play a much more significant role – the other is the web series For All Mankind on Apple TV+. The premise of Ms. Kowal’s novel is much more extreme – in 1952, a meteorite smashes into the coast off Washington DC resulting in calamitous loss of life, but also triggering an extinction event predicted to take place over the next 50 years, due to the greenhouse effect caused by the vaporization of millions of tons of water. This threat results in a global effort to accelerate the colonization of outer space. After initial resistance, women are grudgingly accepted into the astronaut corps and the novel chronicles the experiences of mathematician and pilot Dr. Elma York as she becomes a “Lady Astronaut”. Dr. York is a very human protagonist, determined, capable and intelligent, but not heroic in the conventional sense. Eventually, circumstances and her own sense of obligation to humanity, cause her to take on increasingly significant roles in the International Aerospace Coalition. Ms. Kowal has written one short story and three novels in the Lady Astronaut series and I’ve already started on the sequel, The Fated Sky.

That concludes a rundown of the best books I’ve read in the past year; there’s something for every interest – space opera, murder mystery, dystopian, alternative history, fantasy, family drama and non-fiction.

Favourite female singers of the decade


I grew up to the music of the 1980’s, and like the millions of kids of my generation, I fell in love with the escapist pop music of that era. Madonna, Whitney Houston and Kate Bush were my favourite female solo artists of that time, who consistently pushed out hit after hit into the pop charts. But there were so many others with hit songs that continue to be signposts of that time, such as Tina Turner, Bonnie Tyler, Laura Branigan, Sheena Easton, Cyndi Lauper and Annie Lennox. As I moved away from pop in subsequent years and as popular music moved towards R&B and rap, I realize that very little of the music I was listening to was from female artists, with the exception of a few hits from Janet Jackson and Salt-N-Pepa in the 90’s and Nelly Furtado‘s first few albums in the early 2000’s. In the past 15 years, popular music has been dominated by amazingly talented female artistes like Beyoncé, Alicia Keyes, Katy Perry, Taylor Swift, Ariana Grande and Lady Gaga, and I have listened to and enjoyed many of their hit songs (impossible not to), but it’s rarely music that I actively choose or add into my playlists.

Having said that, in the past few years I’ve realized that there are a handful of female artists, particularly in the soul and jazz genres, whose music I keep coming back to often enough that they can be classified as my favourites of the past decade.


Amerie: Born to a Korean mother and African-American father, Amerie has built a career as a singer, actress and model. Two singles from her debut 2002 album All I Have first caught my attention, the lead track Why Don’t We Fall in Love and the follow up Talkin’ To Me. I really liked the groove-infused, easy-listening soul sound of these two songs, although the rest of the album is fairly generic R&B. In spite of the average reviews the album received, the working relationship between the singer and producer Rich Harrison was cemented. Soon after, Amerie released a cover of Diana Ross‘ 1980 hit I’m Coming Out (co-written by the legendary Nile Rodgers) for the Maid in Manhattan movie soundtrack. Amerie and Rich Harrison next collaborated on the album Touch, released in 2005, which had some great up-tempo percussion-driven tracks. The best example is 1 Thing, which samples the drums from the 1970 recording of Oh! Calcutta by The Meters. Other notable songs are the propulsive Talkin’ About and the title track, Touch, with a looping tabla backtrack. Her next album Because I Love It, continued in the same vein with Gotta Work carrying a catchy sample of the classic 60’s soul track, Hold On, I’m Comin‘ by Sam & Dave. The other catchy songs in this album are Hate2Loveu, Take Control (co-written by CeeLo Green and sampling a Hall & Oates song) and the synth-driven Crush. Since 2010, her recording output has slowed down, with some one-off singles and EPs, none of which have really caught my attention.

Sia: The Australian singer-songwriter has emerged as one of my favourite artists of the past 5 years. I first took notice of her music when Never Give Up played while the credits rolled on the award-winning 2016 film Lion. I then realized that the hit 2014 song Chandelier which I liked a lot, was also by her. So I checked out the album it came from, 1000 Forms of Fear, and discovered a couple of great tracks – Big Girls Cry and Elastic Heart. The album I like the most is This is Acting (2016), which includes the dance hit Cheap Thrills, as well as the searing love song One Million Bullets, the playful House of Fire and Footprints. One of my favourite Sia tracks of all time is Sunshine from her 2017 album Everyday is Christmas. While Sia’s music is up-tempo and is popular on the dance floor, the lyrics are frequently dark and full of meaning. In 2019, she teamed up with producer Diplo and rapper Labrinth, to release the album Labrinth, Sia & Diplo Present… LSD. There are lots of amazing songs on this album – Angel in Your Eyes, Genius (featuring Lil Wayne), Audio, Thunderclouds (amazing music video) and No New Friends (check out the live performance on The Ellen Show). As I listen to these songs, I realize that what I enjoy the most is Sia’s raw and emotional vocalization which reminds me quite a lot of Cyndi Lauper.

Janelle Monáe: I first came across Janelle Monáe at the end of 2016 on account of her double whammy appearances in the critically acclaimed films Moonlight and Hidden Figures. It was only when she released her third album Dirty Computer in 2018 that I started listening to her songs. I was deeply moved by the poignant lyrics on the title track (“I’m not that special, I’m broke inside“) and inspired by her resilience and fighting spirit on the track I Like That (“I’m always left of center and that’s right where I belong, I’m the random minor note you hear in major songs, And I like that…“). Other notable songs are Don’t Judge Me and Make Me Feel. As many critics have pointed out, this album is as much a powerful socio-political statement as it is a work of art. In a relatively short period of time, Monáe has become a voice for diversity, both of colour and sexuality. No wonder then, that she was chosen to open the 2020 Oscar awards as a self-aware nod to the criticism the Academy has faced for its lack of diversity. Unlike many black filmmakers and rappers whose creative work focuses on the misfortunes suffered by people of colour, Monáe stands out because her musical output over the past decade has been built around Afrofuturism, the movement that explores the confluence of African culture and state-of-the-art technology. Afrofuturism as a concept has been around since the mid-90’s but it was only with the release of Marvel’s Black Panther in 2018 that it received global exposure. Monáe’s first two albums The ArchAndroid (2010) and The Electric Lady (2013) were both based on her alter ego Cindi Mayweather, an android inspired by the female robot from Fritz Lang’s 1927 experessionist classic Metropolis. In Dirty Computer, Monáe has shed the Cindi Mayweather persona and revealed her true self (she also came out in real life at the time of the album’s release), creating a more introspective and vulnerable body of work. Of the two earlier albums, I prefer The ArchAndroid, which has such a varied sound – the two singles Tightrope (featuring Big Boi) and Cold War are both reminiscent of the Outkast‘s 2003 hit Hey Ya; at the other end of the spectrum, the opening verse of Oh, Maker sounds like it could have been sung by Doris Day or Julie Andrews; Wondaland is pure synth-pop, with operatic backing vocals; Make the Bus is a duet with one of my favourite artists, Of Montreal, and very much reflects their musical style; BaBobByeYa has a distinctive bossa nova sound. From the second album, The Electric Lady, the only tracks I’ve really liked so far are the disco-like We Were Rock and Roll and the jazzy duet Dorothy Dandridge Eyes, sung with Esperanza Spalding.

Dirty Computer, 2018 album by Janelle Monáe

Esperanza Spalding: And speaking of the celebrated jazz singer-songwriter, I had heard of her (first jazz artist to win the Grammy for Best New Artist, invited twice by President Obama to perform at the White House), but listened to her music only this year, when Earth to Heaven played on the radio and I used Soundhound to find out who it was. This led me to the album it came from, the 2016 release Emily’s D+Evolution and what a revelation it turned out be! I don’t think I’ve been so entranced by the distinctiveness of an album’s sound since Kate Bush‘s 1978 debut The Kick Inside, which in fact Emily’s D+Evolution does strongly remind me of. This is Spalding’s fifth studio release and she decided to explore a different musical style, creating an alter ego, Emily (her middle name) to release her from her past musical baggage. The album has been a major success, receiving widespread critical acclaim, and rightly so. There are many standout tracks; besides Earth to Heaven, I would recommend listening to Good Lava, Unconditional Love, Judas and the surreal Ebony and Ivy, which sounds like it should play on an episode of The Twilight Zone. I’ve recently started listening to her preceding album, Radio Music Society and am enjoying the music just as much, particularly tracks like Radio Song, the beautiful Cinnamon Tree (“We meet just once in a while but the spice in your smile is magic to me“), Black Gold (shades of Beyoncé) and the Grammy winner for Best Jazz Vocal, City of Roses.

BENEE: This artist jumped out at me from nowhere in the past few weeks, when I heard Supalonely on the radio and was hooked. The 19-year-old from Auckland, New Zealand has been steadily gaining momentum over the past year through two EPs that she released in 2019. The single Supalonely (featuring Gus Dapperton) from the 2nd EP Stella & Steve, gave her international exposure via TikTok. It’s a great song, but my favourites are all from the 1st EP Fire on Marzz, with four of its six songs currently on heavy rotation on my Spotify playlist – Soaked, the super-groovy Glitter, Afterlife and Evil Spider. BENEE has an incredibly soulful voice for someone so young, and the production on the EPs is outstanding, with it’s bass-driven groove and bright guitar sounds, a credit to producers Josh Fountain and Djeisan Suskov (both musicians themselves from the NZ indie music scene). Meanwhile, she also appeared on the latest album from Japanese-Australian musician Joji, with the outstanding, hypnotic and dark duet Afterthought. With all this, I was really looking forward to BENEE’s debut full album Hey U X, which came out on 13th November; on my first run-through, I haven’t come across any songs which have hooked me the first time, so I’ll have to give this another go.

Steve & Stella, 2019 EP by BENEE

As I’m writing this, I’ve been listening to Dua Lipa‘s Grammy-nominated album Future Nostalgia, but it’s too early to tell if she will go on to become a long-term favourite or not. And Swedish soul singer Snoh Aalegra‘s 2019 album Ugh, Those Feels Again has a few songs that I really like, but I just haven’t listened to enough of her music yet to be able to classify her as a favourite artist.