One Skyfall to rule them all…


I have just come home from the premiere of Skyfall (Thank you Sony and AXN for the invitation!).

Well, it’s official as far as I am concerned…this is the best 007 film, period.

After the disaster that was Quantum of Solace, we can all be forgiven for setting our expectations a bit lower, but any which way one looks at it, Sam Mendes has just gone to the top of the Bond directors’ class. Mr. Mendes, I was ambivalent about American Beauty, but I loved Road to Perdition and Revolutionary Road. I can’t wait to see what you will do next.

Much of the credit must go to the script, which once again is from Neal Purvis and Robert Wade, but unlike the first two Craig films which were co-written by Paul Haggis (he of Crash and Million Dollar Baby fame), this one is co-written by John Logan, who has previously been Oscar-nominated for scripting Martin Scorsese’s Hugo and The Aviator and Ridley Scott’s Gladiator. One can see strong elements of Gladiator in Skyfall, especially the conflict between the ‘hero making a comeback’ and his seemingly more powerful adversary. But the real trick is the way the script injects bits of playfulness into the story without making the scenes campy (yes, I am referring to those Roger Moore films!). And some of the playfulness comes from the most surprising quarter…none other than Bond villain Silva, played masterfully by Javier Bardem (3 Oscar nominations and 1 win so far; I wish he would get one more for this performance). Never have I seen a Bond villain make Bond uncomfortable in quite the manner that Silva was able to do in this film…and to get a laugh out of the audience while doing it too! On the flip side, this Bond villain also seemed to have the most depth and once again, no praise can be too great for Bardem’s performance in a role which always carries a risk of going over the top.

French TV actress Berenice Marlohe makes a fantastic addition to the Bond line of femme fatales, while Naomie Harris shows a lot of spunk as an MI6 agent. But ultimately the strongest female showing continues to come from Dame Judi Dench as M, this time having to also deal with the politics of having a new boss.

The message consistently delivered throughout the film is that “old can still be gold” and will easily resonate with anyone who belongs to my generation. Even the new Q, played by a young Ben Whishaw, appears comfortably old-fashioned in his sweater and mussed hair.

The only disappointment was the theme song by Adele. It sounded a lot better when I listened to the leaked clip on the internet than it actually did during the opening credits. Tina Turner’s Goldeneye still tops my list when it comes to Bond songs.

Overall, an outstanding start to the Fall blockbuster season and I can’t wait to see how the box office for this movie plays out over the next couple of months.

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American comedians excel with European accents


Yesterday, while watching Hotel Transylvania with the family, I was struck by the quality of Adam Sandler’s voice acting job, playing Dracula. I have never been a fan of Sandler. In fact, after starring in 12 movies grossing USD 100 million from 1998 to 2011, this – his 13th USD 100 million hit – is the first Adam Sandler movie I have ever seen. Naturally, the reason I went to watch the film is because I didn’t have to see him playing one of his stock man-boy characters. Instead, Mr. Sandler delivers a surprisingly endearing performance as the father who doesn’t want his daughter to grow up or leave home. And the key to making it work was his East European accent, which of course is a pre-requisite for any actor who wants to play the legendary vampire. The first time this character was brought to the big screen in 1931, it was Hungarian actor Bela Lugosi who played the character and so, the East European accent came naturally. This set the template for screen Draculas of the future and so, for Mr. Sandler to deliver a believable Dracula, he had to get the accent right. Well, I have to say, full marks to the man for getting it right.

This brought to mind the performance of another American comic, Steve Carrell who played a similar scary-guy turned caring father in 2010’s Despicable Me. In this film, Carrell played Gru, the super-villain, with an Eastern European accent. Gru won audiences’ hearts by having to overcome his own prejudices and put the interests of his little girls before his own. It certainly looks like Adam Sandler used Steve Carrell’s performance as a model for his Dracula performance.

And, since Hollywood is so good at packaging old wine in new bottles, don’t be surprised if you see more American comedians being cast in similar roles with East European accents in the near future!

My Top 10 albums of the past 10 years


This post is about 2 years too late. I should have put this together at the end of 2010, but no matter, better late than never. I had the happy problem of deciding my favourite 10 albums and failed miserably. Instead of 10, I ended up with almost twice the number. So, here I go with my first Top 10 and I will try to post a consolation Top 10 in a few days.

1. Sufjan Stevens: Illinois (2005)
This was perhaps the most highly acclaimed album of 2005. Released on Stevens’ own Asthmatic Kitty label (his stepfather housed a stray cat named Sara which suffered from asthma), it is an incredible achievement by the multi-instrumentalist singer-songwriter. His music in general reflects his strong spiritual beliefs and this album in particular sparkles with the bright sounds of trumpets, strings and choir vocals. The most well-known single from the album is ‘Chicago’, which is his signature song and was featured in the film Little Miss Sunshine. Other standout tracks include ‘Jacksonville’, ‘The Man of Metropolis Steals Our Hearts’ and ‘Come On! Feel the Illinoise!’.

2. Dream Theater: Six Degrees of Inner Turbulence (2002)
I had heard great things of prog-rockers Dream Theater since the early ‘90’s, but somehow had never got my hands on one of their albums until late 2006. And the album I picked up turned out to be this 2-CD epic, which in my opinion is their best album ever. It is a ‘concept album’, thematically strung together around various forms of ‘personal turbulence’, such as alcoholism, mental illness and so on. The stand out song is the multi-part title track which occupies the entire 2nd disc, with my favourite segments being ‘About to Crash’ and ‘Solitary Shell’. ‘Misunderstood’ is the other great track which appears on the 1st disc. It is difficult to describe what is so good about this album…it’s just the entire package, from the lyrics, the storytelling, the vocals and of course, the incredible musicianship of guitarist John Petrucci, drummer Mike Portnoy and keyboardist Jordan Rudess. If you can find the concert DVD, it is definitely worth picking up too.

3. The Decemberists: The Crane Wife (2006)
This album represents all that I love about ‘indie bands’. The focus is on songwriting and musicianship. There is no commercial angle at all, I haven’t even seen a music video of any of the songs, nor do I know what the artists look like. This is not eye candy masquerading as music, but musicians working together for the love of their craft. Nevertheless, the music is very accessible and the songs are catchy and infectious; particularly ‘Yankee Bayonet’, ‘O Valencia’ and ‘The Perfect Crime’. The title track is based on a Japanese folk tale, which many of us have probably come across in children’s folk tale books. The variety of instruments used on this album is mind-boggling. For example, guitarist Chris Funk also plays the bouzouki, the dulcimer, the banjo and the hurdy-gurdy. Together they give the music a lush, layered feel that goes very well with Meloy’s somewhat melancholic vocals.

4. Mastodon: Blood Mountain (2006)
Since the mid-90’s, I have been desperately searching for the next big metal band after Metallica, but to no avail. Then, in 2006 I started reading rave reviews about Mastodon’s 3rd album Blood Mountain and soon after, one of its tracks ‘Colony of Birchmen’ was nominated for a Grammy. At that time, the band was classified as a sludge metal outfit, based on the slightly muddied/ distorted sound of their earlier releases Remission (2002) and Leviathan (2004), but they went with a cleaner sound in Blood Mountain. This is a concept album with a fantasy storyline, revolving around a person trying to get hold of a Crystal Skull and climbing the Blood Mountain with it. Today, after two more outstanding albums Crack the Skye (2009) and The Hunter (2011), I like to think that they are the most inventive and melodic metal band in the world…reaching out well beyond narrow categorizations like sludge or stoner metal.

5. Kate Bush: Aerial (2005)
Sometime in the mid-‘80’s, I tuned in to a series on BBC World Service, which told the story behind classic albums of the past 20 years. One of the albums covered was Kate Bush’s 1978 debut, The Kick Inside. I was completely bowled over by the unique sound of songs like ‘Wuthering Heights’ and ‘Them Heavy People’. It was not until a visit to London in 2004 that I actually purchased a copy of the CD, but during all those years in between, her output was sporadic and I wondered if she ever would scale the heights of her debut work. The answer came in 2005 with this double album, the 2 discs subtitled A Sea of Honey and A Sky of Honey. And what a return to form it was! Compared to the soaring vocals and theatrics of The Kick Inside, the sound of Aerial is mellow and thoughtful. I would recommend listening to this album with a pair of headphones on and no one to disturb you. It’s a truly rewarding, almost emotional experience. A bit of trivia…Australian entertainer Rolf Harris (of ‘Tie Me Kangaroo Down, Sport’ fame) provides guest vocals and plays the didgeridoo on two of my favourite songs, ‘An Architect’s Dream’, ‘The Painter’s Link’.

6. Coheed and Cambria: Good Apollo, I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness (2005)
In much the same way that Mastodon answered my search for the next great metal band after Metallica, Coheed and Cambria answered my search for the next great prog rock band after Rush. The similarity in sound between C&C and Rush is uncanny, although they claim they had not even listened to Rush until well into their career. The album with the long name listed here contained some of their most commercially accessible songs up to this stage of their career…songs such as ‘Wake Up’, ‘The Suffering’ and ‘Welcome Home’. As with all their albums till date (they just released Afterman: Ascension a few weeks ago), the songs deal with the characters and storylines of the scifi graphic novel series The Amory Wars, written by C&C leader Claudio Sanchez.

7. System of a Down: Toxicity (2001)
SOAD were perhaps the most inventive, innovative rock/ metal band since Metallica. No doubt, their unique sound came from their ability to blend music from their Armenian roots with the classic heavy metal sound. In particular, their 2nd album Toxicity became famous for its signature rapid fire vocals from Serj Tankian and for its politically charged lyrics, especially in the aftermath of the 9-11 attacks. The stand out songs from this album include ‘Science’, ‘Deer Dance’ and of course, the famous ‘Chop Suey!’. A great pity that they disbanded a few years ago.

8. Coheed And Cambria: In Keeping Secrets of Silent Earth: 3 (2003)
My 2nd C&C album in the top 10 is their 2nd studio album. I discovered all the C&C albums at around the same time and to be honest, it is quite difficult for me to rank them in order of preference, because I like so many songs from each of the albums. Given a choice, I would have probably put their first 4 albums into this Top 10, as they were all released during the last decade. The title track from this album is perhaps their signature song and I was lucky enough to hear them perform this live at KL Live, where they were the main act in July 2010 and then again in Singapore the very next day, where they opened for Slash. It was an emotional experience when the small but fervently loyal crowd at KL Live went wild as the opening guitar lines played out and roared “Man your own jackhammer, man your battle stations” during the chorus. The album is filled with other great songs such as ‘Blood Red Summer’, ‘A Favor House Atlantic’ and ‘Cuts Marked in the March of Men’.

9. Daft Punk: Discovery (2001)
Sometime in early-2001, I switched on MTV and saw a really cool looking video in ‘80’s-scifi-anime-style featuring a blue-skinned pop group, spaceships and a futuristic city. The vocals were altered using Auto-Tune which had become popular after Cher used it for her hit single ‘Believe’ a couple of years earlier. The song was ‘One More Time’ and was the breakout mainstream hit for French duo Daft Punk; the album Discovery went on to become a global phenomenon, featuring other great tracks such as ‘Digital Love’, ‘Harder Better Faster Stronger’ and ‘Aerodynamic’. The music videos for these songs were all part of a feature-length animation film titled Interstella 5555: The 5tory of the 5ecret 5tar 5ystem which was released a couple of years later.

10. Incubus: A Crow Left of Murder (2004)
This album was my introduction to Incubus. Although their previous album Morning View sold more copies, I prefer A Crow Left of Murder of all their releases. Brandon Boyd’s pleasing vocals blend well with their uncomplicated pop-rock sound, particularly on songs like ‘Agoraphobia’, ‘Talk Shows on Mute’ and ‘Southern Girl’. Their follow-up album Light Grenades (2006) was a close contender to get into this Top 10 as well, particularly since ‘Dig’ is my favourite Incubus song. Unfortunately I missed them when they toured KL last summer.

Early reviews out for Skyfall (good) and Cloud Atlas (bad)


A couple of weeks ago, I posted a list of movies releasing in the remaining 3 months of the year, that I was going to keep an eye out for.

I thought I would do a quick update on the movies released so far and how they are faring with critics and at the box office.

From that list, The Master has already been in limited release in the US for some weeks, although I see no signs of it coming to Malaysia. It is one of the most critically acclaimed movies currently in theatres with a great score of 85 on Metacritic.com averaged from 41 reviews! However, things have been slow at the box office and I wonder if it will reach the box office take of Paul Thomas Anderson’s previous film There Will Be Blood, which made USD 40 mn in the US and another USD 35 mn in other markets.

Then Tim Burton’s Frankenweenie released, also to very positive critical reviews, aggregating a Metacritic score of 74, from 37 critics. Alas, here too the box office performance has been middling with the movie grossing just USD 22 mn in the US so far. Audiences seem to prefer Hotel Transylvania, which has a much poorer score of 47, but obviously more entertaining for kids. There is still hope that Frankenweenie will get an uptick during Halloween week, but still this will end up being one of Burton’s lowest grossing movies ever.

Last week, Argo released to universal acclaim, with an amazing score of 86 from 43 critics. It’s opened slow in spite of such good reviews, picking up just USD 20 mn in its opening weekend, but I think the feel-good factor of a successful American operation in the Middle East will give it legs in the weeks to come…hope it will hit the magic USD 100 mn mark in the US.

The movie that beat Argo at the box office this weekend is Taken 2, which in spite of poor reviews (Metacritic score of 45 from 35 critics) has just cross USD 100 mn in just 10 days.

Now comes the exciting news that early reviews of Skyfall are out and the critics seem to be very happy. Metacritic has just posted a score of 80, although it is averaged from just 4 reviews. Expect the score to go south as more reviews come in, but certainly the impression is that it is a good bounce back from Quantum of Solace. That Adele song is pretty good too, huh?

Not such good news for Cloud Atlas, which also has had its first few reviews posted. It’s averaging 41 from 7 critics which confirms my earlier fears. This movie would have struggled to find an audience even if the critics had liked it, but now all hope seems to be lost for the Wachowskis. Better luck for their next venture, the scifi flick Jupiter Ascending.