Continuing with my holiday movie watching spree, we enter into heavier territory now with some emotionally intense movies, some of which are in serious contention for year-end awards.
I have read articles which refer to a form of OCD called ‘Responsibility OCD’, in which a person suffering from guilt due to a past mistake or shortcoming (real or perceived), tries to assuage this guilt by obsessively trying to protect their loved ones or go above and beyond their call of duty. The characters in the films listed below seem to have that in common to some degree.
After the Storm: This is the 5th film from writer-director Hirokazu Kore-eda that I’m watching and the one I liked the least, along with 2008’s Still Walking; is it a coincidence that both star Hiroshi Abe? As always, Kore-eda’s films show real people and real emotions, but I guess I just didn’t like Abe’s character, a downbeat, dishonest divorced dad who is trying hard to get back into the good books of his ex-wife and impress his son. What appears to be love for his family is actually a combination of guilt and selfishness, a desire to overcome his own low self-esteem. A disappointing experience for me (not the fault of the director, just that I didn’t like the characters or the story), especially after how much I loved his previous 3 films, especially 2015’s Our Little Sister, which I wrote about previously. Even so, Kore-eda was nominated in the Un Certain Regard competition at Cannes for this film.
Wind River: Actor turned screenwriter Taylor Sheridan is hot property now, having written the screenplay for the highly acclaimed Sicario (2015) and Hell or High Water (for which he received an Oscar nomination last year). He has gone behind the camera to direct his latest script Wind River and what a piece of dynamite it is! Starring Avengers colleagues Jeremy Renner and Elizabeth Olsen, the film explores themes of guilt and alienation delivered in the form of a perfectly crafted, tightly wound murder mystery. Olsen plays the FBI rookie who is called in to solve a murder at a Native American reservation and Renner is the local wildlife expert who found the body and assists her on the case. Like the rest of Sheridan’s films this too is a Western in terms of DNA, even though it is set in the bleak winter of present day Wyoming. The pacing of the film never flags, at the same time the characters get time and space to express their feelings and fears (just like in Sicario). Jeremy Renner is perfectly cast as a man driven to excel at his job, trying to live with his own guilt related to the death of his daughter three years earlier. Sheridan won Best Director in the Un Certain Regard competition at Cannes this year. I cannot recommend this film highly enough and I can see myself watching it over and over again.
Three Billboards Outside Ebbing, Missouri: Like Wind River, this film too deals with themes of guilt and alienation. Written and directed by Martin McDonagh, one half of the duo who have put Irish cinema on the world map, this is a welcome return to form after the relative disappointment of his last effort Seven Psychopaths and reminds me of the tone of his first movie In Bruges. Frances McDormand plays a grieving mother who rents three billboards outside her small town to call attention to the lack of police action in solving the rape and murder of her daughter a year earlier. The film explores the darkest places of guilt, bitterness and self-reproach, but does so with a perfect blend of melodrama, action and black comedy. McDonagh brings out fantastic performances from the cast which includes Woody Harrelson (in one of his best roles in recent years), Sam Rockwell, Peter Dinklage (Tyrion from Game of Thrones), John Hawkes and Lucas Hedges. Frances McDormand got her 6th Golden Globe acting nomination as the mother obsessed with finding justice, forever remorseful of her own negligence in her daughter’s death; I would love to see her win at the Globes and I hope she will get her 5th Oscar acting nom as well. Sam Rockwell gets his first ever Golden Globe nomination as well. Highly recommended, even if the ending isn’t entirely satisfactory.
Good Time: This is yet another release from the fast emerging indie distributor A24 which was behind last year’s Best Film Oscar winner Moonlight and is distributing several award contenders this year like Lady Bird, The Florida Project, The Killing of a Sacred Deer and The Disaster Artist. Directed by fast-emerging New York based indie film makers Josh and Benny Safdie, the movie stars Robert Pattinson as a young man whose attempt to rob a bank along with his mentally challenged younger brother (played by co-director Ben Safdie), triggers a chain of events which gets him deeper and deeper into trouble with the law. I didn’t care much for the Safdie’s guerrilla style of film-making or the jarring electronic score from experimental musician Daniel Lopatin (under his recording alias of Oneohtrix Point Never), but there is no denying the intensity that Pattinson brings to this role as a man whose guilt drives him to do whatever it takes to safeguard his younger brother. The 31-year-old British heartthrob has put together an eclectic and high quality body of work in the past 5 years, working hard to deglamorize and distance himself from his ‘pretty boy’ Twilight persona. The Safdie brothers were nominated for the Palm d’Or at Cannes for this gritty crime thriller.
Last Flag Flying: After winning multiple awards for Boyhood three years ago, writer-director Richard Linklater directed the little seen 80’s set comedy Everybody Wants Some!!. He returns to higher profile material with this film which is a “sort of” sequel to the celebrated 1973 film The Last Detail for which Jack Nicholson received an Oscar nomination. Both films are based on novels by Darryl Ponicsan and feature a train trip taken by 3 Marines as a key setting. The conversations on these trips form the essence of the films – exploration of beliefs, fears, the meaning of patriotism and friendship. Three old Vietnam War vets are reunited after a gap of several decades due to a tragedy and have to take a trip together during which they reminisce about their wild young days, about the mistakes they made while in combat in Vietnam and the remorse that each of them lives with. The acting by Bryan Cranston, Laurence Fishburne and Steve Carell is outstanding and so, so real. I don’t think Steve Carell gets enough credit for how good an actor he is. There is one sequence in the train where the three men (accompanied by a junior officer) are laughing and joking about their time in Vietnam; anyone who has been to a reunion party with old college friends will relate to these scenes. The film may be a bit too ‘light’ to win any awards, but it is definitely worth watching and particularly interesting if you’ve seen the first film, as there are some parallel situations between the two movies.
In my next post, I will cover two coming-of-age films which have made a big splash in the past few weeks on the awards circuit – Lady Bird and Call Me By Your Name.