I’ve just finished reading my 26th Stephen King book, 11.22.63; I read my first – It – in 1988. I’ve read more of his stories than I have of any other author, with Isaac Asimov next at 18.
Stephen King doesn’t give the reader any easy rides. His protagonists go through pain. Lots of it. There are lots of lead characters in popular culture who get hurt, like Indiana Jones and John McClane; but those guys mainly experience physical pain and they are still strong enough to bounce back in the next action scene a few minutes later. King’s characters on the other hand, keep hurting for a long time because the pain is physical, emotional and psychological. Like in real life. I think this is the real reason he is classified as a horror author, because we know that life’s realities can be more horrifying than any ghost, monster or supernatural phenomenon.
11.22.63 falls into the scifi spectrum of Stephen King stories, like Under the Dome. In 2011, a small town high school teacher Jake Epping is invited by long-time acquaintance Al Templeton to his house, where he learns that Templeton has been using a secret time portal to travel back in time; the portal opens into a specific day in 1958. Templeton extracts from Epping a promise that he will go back and prevent the assassination of John F. Kennedy, a pivotal moment in American history which Templeton believes led to America’s continued involvement in the Vietnam War and many other ills the world has suffered since. Epping agrees, goes through the portal and then travels down south to Texas where he has to get through the next 5 years, find Lee Harvey Oswald and prevent the foul deed. In the hands of any other author, this would have become a typical suspense thriller, but King is interested as much in the journey as the destination and takes us on a tour of America in the late 50s and early 60s, a nation that has gone past the post-war baby boom and is now dealing with urban decay and social cynicism. Along the way, Epping meets some memorable characters, falls in love, gets into some heart-stopping dangerous situations and eventually faces his destiny as the man who has the power to change the course of history.
One key plot mechanic used – kind of like the opposite of a deus ex machina (apparently the term is ‘diabolus ex machina’) – is that the past does everything possible to prevent its course from being changed. And so, Epping has to battle all sorts of people and incidents that pop up, like Murphy’s Law, to stop him from getting to Oswald before he fires that gun. And afterwards, Epping finds out that even if you do manage to change the course of events, Time has a way of taking revenge.
This is a fascinating story that stays in the memory well after the last page has been turned. I would love to watch the mini-series featuring James Franco as Jake Epping, which premiered on Hulu earlier this year and see if it does justice to King’s writing. If it weren’t for the fact that King writes horror/ fantasy/ scifi, he would certainly have been celebrated as one of America’s great modern writers of fiction.